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It might be worth getting both (they’re both inexpensive) and seeing which you prefer. "Solder sucker" hand pumps can suck up more solder more quickly, but can be messy. A lead/tin 60/40 blend with a rosin core and a moderate gauge (.062") works well.ĭesoldering tool: I use a powered vacuum desoldering station in my workshop, but before I shelled out the cash for that, I was pretty happily using desoldering wick for all my desoldering. Solder: It is necessary to use lead-based solder when working on vintage electronics. You can get pretty good one for as little as $40–$50. Soldering Iron: A decent, temperature-controlled soldering station makes a huge difference. Here are the basics.Ĭontact cleaner: Get a product labeled "electrical contact cleaner" or "electronic contact cleaner" that does not contain added lubricant.ĭeOxit D100: This "contact conditioner" is expensive and leaves an oily residue, so I use it sparingly, but for those occasions when contact cleaner alone doesn’t quite cut it, it’s a big help. Tools And Suppliesīecause organs are so simple, you don’t need many fancy tools or supplies to work on them.
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Once you learn how to handle these issues, you’ll be ready for many of the problems that can crop up in a currently working organ and be on your way to being able to restore a non-working organ to its former glory. This makes combo organs a great place to start if you’re interested in learning more about the "guts" of electronic instruments or getting into restoring vintage gear. In fact, probably around two-thirds of the combo organ problems I fix at my repair shop Bell Tone Synth Works fall into a few main categories, and they are things that anyone who knows how to solder could fix at home. You tend to find that most suffer from the same types of problems. Though the majority of vintage organs that exist today have their share of issues, as some of the first fully electronic instruments ever made, they are also some of the simplest.
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They will also download in that original format.The warm sounds of 1960s electronic "combo" organs from makers like Vox, Farfisa, Ace Tone, Yamaha, Elka, and more have been heard in popular music for more than 50 years. wav format transferred directly from the CD.
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The uploaded files that can be played here were uploaded in. My correction is based on listening to several versions of each of the two titles, on YouTube. It seems that when the tracks were layed out years ago, someone made a naming error on the track list.
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>NOTE> AN INTERESTING FIND> Track 3, and Track 4, on the CD, are reversed in what the song actually is. This CD was digitally transferred from the stereo originals." "Historic recordings (1956, Mercury Records) by Robert Elmore playing the 55-rank Kimball organ in the Ballroom, of the Atlantic City Convention Hall, renamed Boardwalk Hall. I removed words referring to the Midmer-Losh in the main auditorium, simply to clarify that THIS playlist contains only those tracks of the Kimball in the Ballroom that are on the CD. That's a clue as to which of the two organs in Boardwalk Hall you are listening to.īelow, from the CD insert sheet. They are not of the instrument as it is today, but are very good recordings of the instrument at that time, which sounded pretty good! Be sure to click on "Show more" for the rest of the story.Īn added note: if you listen carefully, the reverb time in the ballroom is only about 2 seconds, while the Hall's reverb time, before the 1998 renovation, was about 6 seconds. They are from the 1956 recordings "Boardwalk Pipes and Bach On The Biggest" which was released on CD by ACCHOS in 2003. These 10 tracks are only of the Kimball organ in the Ballroom.